Las óleos de todo jean-Baptiste-Simeon Chardin
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ID |
Image |
Painting (From A to Z) |
Details |
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29501 |
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A Lean Diet with Cooking Utensils |
1731
Oil on canvas, 33 x 41 cm |
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29498 |
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Game Still-Life with Hunting Dog |
c. 1730
Oil on canvas, 172 x 139 cm |
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30610 |
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Grace Before Dinner |
mk68
Oil on canvas
Saint Petersburg,State Hermitage Museum
1744
France
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56516 |
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jean baptiste simeon chardin |
mk248 den ena av ett par den andra var le buffet som cbardin lamnade till franska konstademin da nicolas de largilliere upptackt bonom bland andra boppfulla ungdomar pa salon de feunesse. folk bade trott att dukarna var flamlandska stilleben ocb de ansags sa bra att de genat gick vidare som cbardins diplomerade arbeten. |
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29514 |
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La Brioche |
1763
Oil on canvas, 47 x 56 cm |
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29496 |
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Return from the Market |
1739
Oil on canvas |
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26946 |
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Self-Portrait |
mk52
1771
Pastel on paper
46x37.5cm
Cabinet des Dessins,Louvre,Paris
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30627 |
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Still Life |
mk68
Oil on canvas
Paris,Louvre
1763
France
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86754 |
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Still Life with Glass Flask and Fruit |
c. 1750
Medium Oil on canvas
cjr |
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29510 |
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Still-Life with Dead Pheasant and Hunting Bag |
1760
Oil on canvas, 72 x 58 cm |
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29513 |
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Still-Life with Jar of Olives |
1760
Oil on canvas, 71 x 98 cm |
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29516 |
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Still-Life with Pipe an Jug |
c. 1737
Oil on canvas, 32,5 x 40 cm |
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90205 |
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Stilleben |
2nd third of 18th century
Medium oil on canvas
Dimensions 52,5 x 112 cm
cjr |
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88643 |
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Stilleben mit Brioche |
1763(1763)
Medium Oil on canvas
Dimensions Deutsch: 47 x 56 cm
cjr |
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30628 |
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The Brioche |
mk68
Oil on canvas
Paris,Louvre
1763
France
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29494 |
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The Buffet |
1728
Oil on canvas, 194 x 129 cm |
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29505 |
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The Canary |
1750-51
Oil on canvas, 50 x 43 cm |
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29502 |
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The Copper Drinking Fountain |
c. 1734
Oil on wood, 28,5 x 23 cm |
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29511 |
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The Draughtsman |
1737
Oil on canvas, 81 x 64 cm |
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29500 |
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The House of Cards |
1740
Oil on canvas, 82 x 66 cm |
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29504 |
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The Prayer before Meal |
1744
Oil on canvas, 50 x 38,5 cm
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31313 |
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The Silver Goblet |
nn07
Oil on canvas
13 x 16 1/4" (33 x 41 cm)
Musee du Louvre, Paris |
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29497 |
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The Silver Tureen |
c. 1728
Oil on canvas, 76,2 x 108 cm |
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29492 |
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The Soap Bubble |
c. 1739
Oil on canvas, 61 x 63 cm |
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29267 |
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The Washerwoman |
mk65
Oil on canvas
15x17"
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29507 |
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The Young Schoolmistress |
c. 1736
Oil on canvas, 61,5 x 66,5 cm |
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29509 |
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Water Glass and Jug |
c. 1760
Oil on canvas, 32,5 x 41 cm |
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28997 |
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Young Girl with a Shuttlecock |
mk65
Oil on canvas
32 5/16x26in
Uffizi,Gallery
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| jean-Baptiste-Simeon Chardin
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| 1699-1779
was an 18th-century French painter. He is considered a master of still life.Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre.Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731.He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicholas Coypel, and in 1724 became a master in the Academie de Saint-Luc. Upon presentation of The Ray in 1728, he was admitted to the Academie Royale de Peinture et de Sculpture. The following year he ceded his position in the Academie de Saint-Luc. In November of 1731 his son Jean-Pierre was baptized, and a daughter, Marguerite-Agn's, was baptized in 1733. In 1735 his wife Marguerite died, and within two years Marguerite-Agn's had died as well.Beginning in 1737 Chardin exhibited regularly at the Salon. He would prove to be a 'dedicated academician', regularly attending meetings for fifty years, and functioning successively as counsellor, treasurer, and secretary, overseeing in 1761 the installation of Salon exhibitions. In 1744 he entered his second marriage, this time to Françoise-Marguerite Pouget. The following year a daughter, Angelique-Françoise, was born, but she died in 1746. In 1752 Chardin was granted a pension of 500 livres by Louis XV. At the Salon of 1759 he exhibited nine paintings; it was the first Salon to be commented upon by Denis Diderot, who would prove to be a great admirer and public champion of Chardin's work.Beginning in 1761, his responsibilities on behalf of the Salon, simultaneously arranging the exhibitions and acting as treasurer, resulted in a diminution of productivity in painting, and the showing of 'replicas' of previous works.In 1763 his services to the Academie were acknowledged with an extra 200 livres in pension. In 1765 he was unanimously elected associate member of the Academie des Sciences, Belles-Lettres et Arts of Rouen, but there is no evidence that he left Paris to accept the honor.By 1770 Chardin was the 'Premiere peintre du roi', and his pension of 1,400 livres was the highest in the Academy.In 1772 Chardin's son,
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